PORTFOLIO
Composition, materiality, handwork and drawing inform my printed and book works. Working directly through screens and on plates, images become parts of a whole; overlapped, warped, inverted, made nearly invisible. My printmaking practice reflects the ephemerality of a moment or a performance—the edition of images printed in this way is unrepeatable, existing as a souvenir of a series of strung-together moments of deliberate decision-making.
Like Levittown Series
Shown: Object Permanence. Artist Book. Silkscreen and Monotype. 3x3.5". 2014; Like Levittown. Wallpaper Installation. Letterpress Relief on Hosho. 2016; By Chance. Silkscreen on Handmade Cotton/Abaca. 11x15" 2016; Untitled (House IV). Silkscreen, Chine Colle and Pochoir. 11x15". 2015; With Proper Planning. Silkscreen, Letterpress and Liquid Gold Leaf. 8x10". 2017; Abundance. Silkscreen. 8x10". 2017.
ANONYMOUS SERIES
Selected works from a series of graphite lithographs.
40X60". 2011. Shown: ANONYMOUS II, V, XI, III, I, IIX.
40X60". 2011. Shown: ANONYMOUS II, V, XI, III, I, IIX.
FOUNDATIONS SERIES
Selected works from a suite of serigraph/silkscreen prints. 22X30". 2015. Shown: Marie & Jay, Rose & Sal.
CERTAIN CIRCUMSTANCES
Serigraph prints. Hand-cut printed paper creates shadows reflecting the verso printed color. Approx 12X18". 2013.
Permanence
A suite of serigraph monoprints on handmade abaca paper. 9X6". 2014. Open Edition.
